Choreography:
Mira Jochimsen
Dancing & Co-creation:
Pénélope Touvier & Roula Samiotaki & Mira Jochimsen
Scenography:
Ada Jochimsen
Mentorship:
Anna Grip
Light:
Vilhelm Montan-Lindberg
Studio Conversations:
Ada Jochimsen & Bartek Mikula & Karin M. Jamesson
Photography:
Celine Barwich
Thanks to:
DU2023 & Karin Hauptmann & ‘Disfigure Study’ by Meg Stuart & DizzyLizard & SB-JJ
Performed in November 2022 at Stockholm University of the Arts as my Bachelor Degree Project
Mira Jochimsen
Dancing & Co-creation:
Pénélope Touvier & Roula Samiotaki & Mira Jochimsen
Scenography:
Ada Jochimsen
Mentorship:
Anna Grip
Light:
Vilhelm Montan-Lindberg
Studio Conversations:
Ada Jochimsen & Bartek Mikula & Karin M. Jamesson
Photography:
Celine Barwich
Thanks to:
DU2023 & Karin Hauptmann & ‘Disfigure Study’ by Meg Stuart & DizzyLizard & SB-JJ
Performed in November 2022 at Stockholm University of the Arts as my Bachelor Degree Project
HOW TO MAKE ROOM FOR MOVING?
spilling.filling.feeling.peeling
I’M SPLITTING MY PELVIC HAVES AND MOVE MY SHOULDERBLADES BACKWARDS WHILE LISTENING TO THE RHYTHM OF YOUR BREATH.
YOU’RE WONDERING WHAT A LEAKING DANCE COULD BE?
AFTER SPENDING TIME PRACTICING IMMEDIACY, I’M TRYING TO OVERCOME ANTICIPATION.
WE ARE HANGING OUT IN THE INSTABILITY OF BALANCING ON ONE TOE AS WE ARE SEARCHING FOR OTHER FORMS OF FEELING HELD.
this dance is practicing ways to reach beyond the forms I know, to listen to more things at once and to build a real trust in the body. it involves going to the studio day by day and filling it with dancing. when I leave, I observe what remains. something is piling up, there in the empty space. when I return, I ask: how to make room for moving today?
spilling.filling.feeling.peeling
I’M SPLITTING MY PELVIC HAVES AND MOVE MY SHOULDERBLADES BACKWARDS WHILE LISTENING TO THE RHYTHM OF YOUR BREATH.
YOU’RE WONDERING WHAT A LEAKING DANCE COULD BE?
AFTER SPENDING TIME PRACTICING IMMEDIACY, I’M TRYING TO OVERCOME ANTICIPATION.
WE ARE HANGING OUT IN THE INSTABILITY OF BALANCING ON ONE TOE AS WE ARE SEARCHING FOR OTHER FORMS OF FEELING HELD.
this dance is practicing ways to reach beyond the forms I know, to listen to more things at once and to build a real trust in the body. it involves going to the studio day by day and filling it with dancing. when I leave, I observe what remains. something is piling up, there in the empty space. when I return, I ask: how to make room for moving today?
