Choreography: Ofelia Jarl Ortega
Dance:
Graduating class in Dance Performance:
Ane Carlsen, Roula Argiri Samiotaki, Brina Dokl, Anton Hedevang, Mira Jochimsen, Joanna Kerkelä, Emma Kerttula, Lena Kienzer, Laura Linna, Nellie Björklund, David Anstey, Philippa Felländer Tsai, Nelia Naumanen, Kacper Migas, Bartlomiej Mikula, Pénélope Touvier, Evelina Jakobsson Potencian
Sound design: Foad Arbabi
Music: Los Barbara Blade
Lighting design: Ronald Salas
Head of Production: Karin Hauptmann
Head of Programme: Zoe Poluch
Photography: Nadja Voorham
Performed in June 2023 at Dansens Hus Stockholm, Elverket. In the frame of our graduation production THE BETTER END.
Dance:
Graduating class in Dance Performance:
Ane Carlsen, Roula Argiri Samiotaki, Brina Dokl, Anton Hedevang, Mira Jochimsen, Joanna Kerkelä, Emma Kerttula, Lena Kienzer, Laura Linna, Nellie Björklund, David Anstey, Philippa Felländer Tsai, Nelia Naumanen, Kacper Migas, Bartlomiej Mikula, Pénélope Touvier, Evelina Jakobsson Potencian
Sound design: Foad Arbabi
Music: Los Barbara Blade
Lighting design: Ronald Salas
Head of Production: Karin Hauptmann
Head of Programme: Zoe Poluch
Photography: Nadja Voorham
Performed in June 2023 at Dansens Hus Stockholm, Elverket. In the frame of our graduation production THE BETTER END.
BILLY
Billy is a low-intensity power play between a group of dancers, where the competition between them challenges the present pleasantness amongst them.
In Billy they take on different power relations and objectify each other, like furniture or other things.
Calcified, they receive first our, then each others’ gazes, allowing themselves to slowly soften and get affected, in order to advance the previous image.
The music is composed by the Santiago de Chile-based group Los Barbara Balde and adapted for the piece by composer Foad Arbabi.
Billy is a low-intensity power play between a group of dancers, where the competition between them challenges the present pleasantness amongst them.
In Billy they take on different power relations and objectify each other, like furniture or other things.
Calcified, they receive first our, then each others’ gazes, allowing themselves to slowly soften and get affected, in order to advance the previous image.
The music is composed by the Santiago de Chile-based group Los Barbara Balde and adapted for the piece by composer Foad Arbabi.
